The weekly concert at the Melba Hall was a free venue
So I did not expect a
memorable experience
The three musicians
arrived on the stage
A violinist, a cellist
and a pianist
As usual the program
was ecstatic about each of them
The question in my
mind is always
If they are
internationally so good
What are they doing in
Australia?
The violinist took immediately
To passionate and
personal interpretation.
While for the cellist it
was business as usual
And followed her lead
without any enthusiasm or warmth
He was playing the
notes.
The pianist had
decided that whatever the other two were doing
He was performing and
gave the audience one third of what they came for.
After lunch, the heat
of the hall and the nineteenth century concerto
Were slowly getting to
me, and in my semi comfortable interest
I was fixing my sight
on the nearest musician that happened to be the cellist
As being more resting,
when suddenly
His mechanical bowing
changed nature
The hand holding the
bow
Became bewitched and
he disappeared
The hand had a soul
and music was it
The hand imparted
every nuance
Dictated every tone
Did not allow for any
deviation
But kept it enthralled, all by its own motion
The crescendo it
entered was followed by the two other musicians
The hand leading them
in a shared hallucinative happening
The audience was fully
entranced
Gone were the first
twenty minutes of quiet digestion
Every patron either old or
young was holding on the edge of their
seat
Barely allowed to
breath for themselves
So strong was the
music hold on their mind
It was one of a few
transcendental occurrences
That one can cross in
one’s life that they will never forget
So much so that the
music was still in our head two hours later.
6/2/2012
L. Bailliet
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