I Introduction
It is a
shame that both the pianist and the violinist
Play as
individuals soloists and not as a duet.
Not much
feeling there.
II Serenata
They are
getting slowly in the mood
It is
still very mechanical and automatic
I suppose
not enough common rehearsals
It is but
an intellectual exercise.
III Tarantella
Slowly
the violinist gets involved in the music
As she
goes deeper she digs deeper
By that
I mean she is using her body
To support
the music by stepping firmly on her legs
To deliver
the twang of a moody gypsy player
In a dark
exotic smoky inn.
IV Gavotte con due
varianzoni
The mood
changes suddenly
With
swift and quick bow movements
And
discordant banging on the piano
Curious
and interesting facial expression of the pianist
Like an
anxious bird in an adrenalin rush.
They are
now together and the music is alive.
Slow and
elegant cadence of a mating game
Firm and
powerful strokes of the bow
With the
pianist in and out of the music
In a
trance like state
When he
realizes he is playing with somebody.
The
audience is utterly still mesmerized
The
violin seems to follow the rhythm of my writing
It clicks
with every letter that I trace on the program
It's in a
staccato rhythm while I am smoothly tracing the words
What a
fusional and weird experience.
It is
like a game to see who can be the swiftest,
And who will
give up first.
They
accelerate in a crescendo and I can't follow them there
As I am
restrained by the size of the paper
And the
intrinsic slowness of letter tracing.
They
finish abruptly knowing they have won the game.
V Minuetto finale
It is again a game but this time between the pianist and the violinist
He keeps
to a strict cadenced rhythm;
While she
tries to lead him astray on the violin
He is
relentless, she is circumventing him,
Trying to
get under his guard by playing a few bars with him
Then
taking him away in high variations
That
flirts until they join together
In an
almost jazzy air
To freedom,
joy, youth and happiness.
The
audience is giving them a standing ovation.
L. Bailliet
©
18/05/2012
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